foreword \n \n edward marlo
1970
Edward Marlo
|
Foreword
|
|
|
|
side finger-flesh grip \n deck placed into right hand fingertips, yet flesh break retained \n edward marlo \n breaking glances \n kostya kimlat
1970
Edward Marlo
|
Side Finger-Flesh Grip
|
Related to
|
1
|
|
|
definite fingertip control with finger-flesh grip \n \n edward marlo
1970
Edward Marlo
|
Definite Fingertip Control with Finger-Flesh Grip
|
2
|
|
|
side flesh break applied to both hands \n \n edward marlo
1970
Edward Marlo
|
Side Flesh Break applied to Both Hands
|
3
|
|
|
fingertip spectator's peek \n spectator pushed deck open, yet it appears to be a fingertip peek \n edward marlo
1970
Edward Marlo
|
Fingertip Spectator's Peek
|
5
|
|
|
observations on chapter one \n new vs. old decks for side flesh break grip \n edward marlo
1970
Edward Marlo
|
Observations on Chapter One
|
5
|
|
|
the crimp - d.f.c. \n bridge where spectator stops, two methods \n edward marlo \n double crimp d.f.c. \n edward marlo \n delayed control after the peek \n vanni bossi \n third method \n t. nelson downs \n e=mc<sup>2</sup> \n james steranko
1970
Edward Marlo
|
The Crimp - D.F.C.
|
Related toVariations
|
6
|
|
|
putting in the step \n five handlings \n edward marlo \n definite fingertip control - d.f.c. \n edward marlo \n fingertip peek force \n justin higham
1970
Edward Marlo
|
Putting in the Step
|
Inspired byVariations
|
10
|
|
|
center dribble glimpse \n from break \n edward marlo
1970
Edward Marlo
|
Center Dribble Glimpse
|
12
|
|
|
controlling a card in the center \n you know the card and its approximate position, two methods \n edward marlo
1970
Edward Marlo
|
Controlling a Card in the Center
|
12
|
|
|
center riffle glimpse \n from fine step \n edward marlo
1970
Edward Marlo
|
Center Riffle Glimpse
|
13
|
|
|
center step glimpse \n from fine step \n edward marlo
1970
Edward Marlo
|
Center Step Glimpse
|
13
|
|
|
moving the steps \n three methods \n edward marlo \n definite fingertip control - d.f.c. \n edward marlo
1970
Edward Marlo
|
Moving the Steps
|
Inspired by
|
13
|
|
|
marlo's favorite (three card control) \n sequence for three consecutive selections \n edward marlo
1970
Edward Marlo
|
Marlo's Favorite (Three Card Control)
|
17
|
|
|
1-2 order control \n sequence for two consecutive selections \n edward marlo
1970
Edward Marlo
|
1-2 Order Control
|
18
|
|
|
double peek control (table riffle shuffle) \n two steps \n edward marlo
1970
Edward Marlo
|
Double Peek Control (Table Riffle Shuffle)
|
19
|
|
|
the triple control (table riffle shuffle) \n three steps \n edward marlo
1970
Edward Marlo
|
The Triple Control (Table Riffle Shuffle)
|
20
|
|
|
the all around square up \n five methods with steps, including four "getting methods" to regain control over the card \n edward marlo
1970
Edward Marlo
|
The All Around Square Up
|
21
|
|
|
the double fingertip peek \n two steps & control \n edward marlo
1970
Edward Marlo
|
The Double Fingertip Peek
|
26
|
|
|
bottom slip cut \n \n edward marlo
1970
Edward Marlo
|
Bottom Slip Cut
|
28
|
|
|
triple fingertip peek \n three steps & control \n edward marlo
1970
Edward Marlo
|
Triple Fingertip Peek
|
28
|
|
|
side cut handling \n two steps \n edward marlo
1970
Edward Marlo
|
Side Cut Handling
|
29
|
|
|
drop control procedure \n two or three cards, running cuts on table \n edward marlo
1970
Edward Marlo
|
Drop Control Procedure
|
30
|
|
|
the fake square up \n \n edward marlo
1970
Edward Marlo
|
The Fake Square Up
|
31
|
|
|
d.f.c. procedure for the triple fingertip control \n \n edward marlo
1970
Edward Marlo
|
D.F.C. Procedure for the Triple Fingertip Control
|
32
|
|
|
further suggestions using definite fingertip peek controls \n \n edward marlo
1970
Edward Marlo
|
Further Suggestions using Definite Fingertip Peek Controls
|
34
|
|
|
the moveable jog \n \n edward marlo
1970
Edward Marlo
|
The Moveable Jog
|
35
|
|
|
key card throw-offs \n peek control with key card \n edward marlo
1970
Edward Marlo
|
Key Card Throw-Offs
|
37
|
|
|
double key card throw-off \n peeked cards, two methods \n edward marlo
1970
Edward Marlo
|
Double Key Card Throw-Off
|
38
|
|
|
glimpses for after the fingertip peek \n four methods \n edward marlo
1970
Edward Marlo
|
Glimpses for after the Fingertip Peek
|
40
|
|
|
two card control with fingertip peek and glimpses \n \n edward marlo
1970
Edward Marlo
|
Two Card Control with Fingertip Peek and Glimpses
|
41
|
|
|
two more glimpses \n \n edward marlo
1970
Edward Marlo
|
Two more Glimpses
|
42
|
|
|
application of the x square up \n - the basic handling of the x square up<br/>- first method: angle jogging \n edward marlo
1970
Edward Marlo
|
Application of the X Square Up
|
44
|
|
|
as a repeat peek force \n jog \n edward marlo
1970
Edward Marlo
|
As a Repeat Peek Force
|
45
|
|
|
the double peek force \n jog \n edward marlo
1970
Edward Marlo
|
The Double Peek Force
|
47
|
|
|
triple peek force \n jog \n edward marlo
1970
Edward Marlo
|
Triple Peek Force
|
47
|
|
|
fingertip stepping \n x square up, tabled riffle shuffle control \n edward marlo
1970
Edward Marlo
|
Fingertip Stepping
|
47
|
|
|
further finesse and shifting of the step \n see step 9. \n edward marlo
1970
Edward Marlo
|
Further Finesse and Shifting of the Step
|
48
|
|
|
the double fingertip peek \n two steps followed by tabled cutting and shuffle combinations, multiple methods \n edward marlo
1970
Edward Marlo
|
The Double Fingertip Peek
|
49
|
|
|
jog control technique \n after (multiple) peek, the breaks are made into angle jogs and the control continued from there on table
- double control (two methods, see also page 63 for suggestion)
- triple control
- four card control
see page 156 for additional observations \n edward marlo
1970
Edward Marlo
|
Jog Control Technique
|
51
|
|
|
jog fan \n handling for pressure fan with jog(s) \n edward marlo
1970
Edward Marlo
|
Jog Fan
|
56
|
|
|
two card control \n two methods of jog control, in-the-hands \n edward marlo
1970
Edward Marlo
|
Two Card Control
|
57
|
|
|
the insertion method: as a multiple control \n cards fanned with four jogged cards, delayed, overhand shuffle \n edward marlo \n the fan control \n andrew wimhurst \n hamblein's move in stripping four aces \n rolland hamblen
1970
Edward Marlo
|
The Insertion Method: As a Multiple Control
|
Related to
|
58
|
|
|
fantastic fingertip controls \n with step fan, and one hand closing of fan, see also page 85 for "added notes on the one hand closing of the fan" \n edward marlo
1970
Edward Marlo
|
Fantastic Fingertip Controls
|
60
|
|
|
setting up for fingertip peek force \n with jog fan and one hand closing of fan \n edward marlo
1970
Edward Marlo
|
Setting up for Fingertip Peek Force
|
63
|
|
|
reverse fingertip control \n forcing thick or short card, riffled from the back to the front, two methods \n edward marlo
1970
Edward Marlo
|
Reverse Fingertip Control
|
64
|
|
|
tapping on table \n to locate corner short, see also references where vernon credits a san francisco gambler \n edward marlo \n tapping on table \n unknown \n the corner short \n dai vernon
1970
Edward Marlo
|
Tapping on Table
|
Related to
|
64
|
|
|
incredible fingertip location \n two fingertip peeked at cards are located with lots of shuffling by spectator, corner short (marlo key card) \n edward marlo
1970
Edward Marlo
|
Incredible Fingertip Location
|
65
|
|
|
triple fingertip control \n corner short card (marlo key card) \n edward marlo
1970
Edward Marlo
|
Triple Fingertip Control
|
66
|
|
|
impromptu methods \n - double fingertip control<br/>- quadruple fingertip control<br/>- six card fingertip peek \n edward marlo
1970
Edward Marlo
|
Impromptu Methods
|
66
|
|
|
marlo key card \n two corner shorts, punch, crimp, edge mark, see page 156 for additional observations \n edward marlo \n the scam card \n unknown
1970
Edward Marlo
|
Marlo Key Card
|
Related to
|
69
|
|
|
ace cutting (marlo key) \n using marlo key card, faro \n edward marlo
1970
Edward Marlo
|
Ace Cutting (Marlo Key)
|
69
|
|
|
the marked deck \n "how to control it, without obviously running through the pack to find it, is our concern"<br/>- for one card<br/>- for two cards<br/>- for three cards \n edward marlo
1970
Edward Marlo
|
The Marked Deck
|
71
|
|
|
the dr. nuzzo peek \n fine secret incomplete faro condition to facilitate counting, for credit information see reference \n dr. james nuzzo \n glimpse of another side \n jon racherbaumer \n edward marlo \n variations to the "dr. nuzzo peek" \n vanni bossi
1970
Dr. James Nuzzo
|
The Dr. Nuzzo Peek
|
Related toVariations
|
72
|
|
|
the variant fingertip peek \n applying substance to peeked-at card with right second finger
- the basic method
- daub variant
- saliva variant
- adhesive variant \n edward marlo \n daub fingertip peek \n roger crosthwaite \n vernon's peek card vanish \n dai vernon \n psycussion \n james steranko
1970
Edward Marlo
|
The Variant Fingertip Peek
|
Related toVariations
|
74
|
|
|
the i f fingertip peek \n incomplete faro at fingertips, controlled to twenty-six or twenty-seven from top, see also page 85 for further notes \n edward marlo
1970
Edward Marlo
|
The I F Fingertip Peek
|
75
|
|
|
an important tip \n using secret incomplete faro condition to facilitate side steal \n edward marlo
1970
Edward Marlo
|
An Important Tip
|
76
|
|
|
erdnase break \n obtaining the break from fourth finger break \n s. w. erdnase \n edward marlo
1970
S. W. Erdnase, Edward Marlo
|
Erdnase Break
|
77
|
|
|
square up action \n with an erdnase break \n edward marlo
1970
Edward Marlo
|
Square Up Action
|
78
|
|
|
control from erdnase break \n seven methods to control a card marked off by erdnase break \n edward marlo
1970
Edward Marlo
|
Control from Erdnase Break
|
78
|
|
|
erdnase break glimpse \n \n edward marlo
1970
Edward Marlo
|
Erdnase Break Glimpse
|
79
|
|
|
the tight peek \n using second finger break \n edward marlo
1970
Edward Marlo
|
The Tight Peek
|
82
|
|
|
the marlo spread control \n culling as tabled spread is picked up \n edward marlo
1970
Edward Marlo
|
The Marlo Spread Control
|
83
|
|
|
out of sight \n fingertip peeked at card is located from fan by sense of touch \n edward marlo
1970
Edward Marlo
|
Out of Sight
|
86
|
|
|
the geiger discovery \n selection found in spread, edge marked key \n edward marlo \n the geiger mystery \n roger crosthwaite \n the 2nd geiger mystery \n roger crosthwaite \n click count \n edward marlo
1970
Edward Marlo
|
The Geiger Discovery
|
Related toVariations
|
86
|
|
|
marlo bottom slip cut \n using pad of left first finger and friction, a bit similar to halo cut \n edward marlo
1970
Edward Marlo
|
Marlo Bottom Slip Cut
|
87
|
|
|
wet line vanish or control \n selection vanishes or is controlled, saliva handling \n edward marlo
1970
Edward Marlo
|
Wet Line Vanish or Control
|
88
|
|
|
multiple fan jog effect \n three cards are thrust into fan, next to three selections \n edward marlo
1970
Edward Marlo
|
Multiple Fan Jog Effect
|
89
|
|
|
double crimp d.f.c. \n two card control \n edward marlo \n the crimp - d.f.c. \n edward marlo
1970
Edward Marlo
|
Double Crimp D.F.C.
|
Inspired by
|
90
|
|
|
fingertip spread sandwich \n sandwich cards inserted in tabled spread together, squared, selection appears between them \n edward marlo
1970
Edward Marlo
|
Fingertip Spread Sandwich
|
91
|
|
|
try this trio - first of the trio \n spectator finds card via size of cut-off packet, penelope principle \n edward marlo \n the dr. nuzzo peek \n dr. james nuzzo
1970
Edward Marlo
|
Try this Trio - First of the Trio
|
Related to
|
92
|
|
|
try this trio - second of the trio \n using stack and naming the stopped-at card \n edward marlo \n the dr. nuzzo peek \n dr. james nuzzo
1970
Edward Marlo
|
Try this Trio - Second of the Trio
|
Related to
|
92
|
|
|
try this trio - third of the trio \n fishing amongst a restricted range \n edward marlo \n the dr. nuzzo peek \n dr. james nuzzo
1970
Edward Marlo
|
Try this Trio - Third of the Trio
|
Related to
|
93
|
|
|
no palm cards to pocket \n two selections reverse one by one, then travel to pockets, double facer \n edward marlo \n louis histed \n "merlinism" (louis histed, abra, oct. 3 1964)
1970
Edward Marlo, Louis Histed
|
No Palm Cards to Pocket
|
Inspired by- "Merlinism" (Louis Histed, Abra, Oct. 3 1964)
|
93
|
|
|
fingertip vanish \n fingertip peeked card vanishes, double index card \n edward marlo
1970
Edward Marlo
|
Fingertip Vanish
|
95
|
|
|
better than \n fingertip peeked at card to any number with faros \n edward marlo
1970
Edward Marlo
|
Better Than
|
96
|
|
|
marlo's miss \n triumph, only aces face up with one card in between each, three selections, dated 1962 \n edward marlo
1970
Edward Marlo
|
Marlo's Miss
|
97
|
|
|
the emerging card or fingertip rise \n fingertip peeked at card rises, thread, dated 1964, see page 155 for additional observations \n edward marlo
1970
Edward Marlo
|
The Emerging Card or Fingertip Rise
|
99
|
|
|
fingertip quickie or "oh! i forgot" \n bottom card is wrong, changed into selection \n edward marlo \n l. g. bury \n lou gallo
1970
Edward Marlo
|
Fingertip Quickie or "Oh! I Forgot"
|
Related to
|
102
|
|
|
easy tabled control \n controlling multiple cards singly, dated 1961 \n edward marlo \n the strip-out shift \n edward marlo \n "senator" clark crandall
1970
Edward Marlo
|
Easy Tabled Control
|
Inspired by
|
102
|
|
|
corner short control \n multiple cards one by one using marlo key card, tabled shuffles \n edward marlo
1970
Edward Marlo
|
Corner Short Control
|
104
|
|
|
corner short riffle cull \n culling cards with a corner short or marlo key card \n edward marlo
1970
Edward Marlo
|
Corner Short Riffle Cull
|
105
|
|
|
pre-determined four \n four effects, magically reversed card is used to locate two selections (neighbors or by counting to them) \n edward marlo
1970
Edward Marlo
|
Pre-Determined Four
|
106
|
|
|
pre-determined four - fourth effect \n a fingertip peeked card vanishes, waxed corner short \n edward marlo
1970
Edward Marlo
|
Pre-Determined Four - Fourth Effect
|
107
|
|
|
fingertip tear \n no duplicate \n edward marlo \n ralph w. hull
1970
Edward Marlo, Ralph W. Hull
|
Fingertip Tear
|
108
|
|
|
the reversible peek \n openly turned over card turns out to be later peeked card \n edward marlo
1970
Edward Marlo
|
The Reversible Peek
|
109
|
|
|
cover-up cut \n \n edward marlo
1970
Edward Marlo
|
Cover-up Cut
|
109
|
|
|
casino countdown \n with or without faro \n edward marlo \n counter-revelation \n justin higham
1970
Edward Marlo
|
Casino Countdown
|
Related to
|
112
|
|
|
braue reverse handling \n \n frederick braue \n edward marlo
1970
Frederick Braue, Edward Marlo
|
Braue Reverse Handling
|
112
|
|
|
marlo covered bottom slip cut \n \n edward marlo
1970
Edward Marlo
|
Marlo Covered Bottom Slip Cut
|
114
|
|
|
the vanishing card \n peeked card vanishes, reappears at chosen number, saliva \n edward marlo
1970
Edward Marlo
|
The Vanishing Card
|
116
|
|
|
the latest \n selection is found by counting down to value of freely chosen card from a bunch, small set-up \n edward marlo
1970
Edward Marlo
|
The Latest
|
118
|
|
|
startling climax \n two cards selected, first found in pocket, transforms in second card \n edward marlo \n an unexpected climax \n paul lepaul
1970
Edward Marlo
|
Startling Climax
|
Inspired by
|
121
|
|
|
one hand cop \n here bottom card of double is palmed \n edward marlo
1970
Edward Marlo
|
One Hand Cop
|
121
|
|
|
cut to transpose \n cutting sequence that exchanges to card with card in center without altering the rest of the deck \n edward marlo
1970
Edward Marlo
|
Cut to Transpose
|
123
|
|
|
"x" the unknown \n selection's position noted by spectator, second selection appears at this position \n edward marlo
1970
Edward Marlo
|
"X" the Unknown
|
125
|
|
|
edge-marking technique \n as card is inserted \n john scarne
1970
John Scarne
|
Edge-Marking Technique
|
125
|
|
|
a complex problem \n two cards turn over and are used to count down to three selections in two piles \n edward marlo \n symmethree \n simon aronson \n three ring circus \n barry price
1970
Edward Marlo
|
A Complex Problem
|
Related toVariations
|
127
|
|
|
block slip cut \n \n bill simon \n calculated cut \n ben christopher \n the tabled block slip cut \n edward marlo \n block slip cover up cut \n edward marlo
1970
Bill Simon
|
Block Slip Cut
|
Related toVariations
|
130
|
|
|
reversed selected locators \n four cards selected, two turn over and their value counts to other two selections \n edward marlo \n symmethree \n simon aronson
1970
Edward Marlo
|
Reversed Selected Locators
|
Related to
|
134
|
|
|
dealing in oil and water \n 4&4, benzais' cop, dated 1962 \n edward marlo
1970
Edward Marlo
|
Dealing in Oil and Water
|
140
|
|
|
marlo variant of benzais' cop \n \n john benzais \n edward marlo
1970
John Benzais, Edward Marlo
|
Marlo Variant of Benzais' Cop
|
140
|
|
|
credit information on the benzais' cop \n credited to persi diaconis here \n edward marlo \n persi diaconis
1970
Edward Marlo, Persi Diaconis
|
Credit Information on the Benzais' Cop
|
142
|
|
|
how many \n card placed on table, cards dealt onto it, rises to top, optional repeat phase with double facer (step 6) \n edward marlo
1970
Edward Marlo
|
How Many
|
142
|
|
|
out biddled transposition \n \n edward marlo
1970
Edward Marlo
|
Out Biddled Transposition
|
143
|
|
|
for ace transpositions \n getting ace from one packet to another, four methods \n edward marlo
1970
Edward Marlo
|
For Ace Transpositions
|
144
|
|
|
unbelievable aces \n \n edward marlo \n unbelievably copless \n randy wakeman \n copless unbelievable aces \n edward marlo
1970
Edward Marlo
|
Unbelievable Aces
|
Related to
|
145
|
|
|
count lap \n \n edward marlo \n count-lap \n edward marlo \n jean-claude pages's lapping method \n jean-claude pagès
1970
Edward Marlo
|
Count Lap
|
Related to
|
145
|
|
|
professional ace cutting \n with crimp, faro \n edward marlo \n shuffling around the crimp \n edward marlo \n shuffling around the crimp \n edward marlo
1970
Edward Marlo
|
Professional Ace Cutting
|
Related to
|
146
|
|
|
the altman trap \n dated 1956 \n art altman
1970
Art Altman
|
The Altman Trap
|
147
|
|
|
marlo repeat turnover technique \n using altman trap, one or two handed \n edward marlo
1970
Edward Marlo
|
Marlo Repeat Turnover Technique
|
147
|
|
|
pinky count \n very brief \n unknown
1970
|
Pinky Count
|
147
|
|
|
10 hands stack \n using zarrow, see page 155 for additional observations, dated 1966 \n edward marlo
1970
Edward Marlo
|
10 Hands Stack
|
148
|
|
|
any card called faro control \n any named card controlled in shuffled deck, see page 155 for additional observations \n edward marlo
1970
Edward Marlo
|
Any Card Called Faro Control
|
151
|
|
|
a lap move \n dated 1950 \n edward marlo \n carmen d'amico
1970
Edward Marlo, Carmen D'Amico
|
A Lap Move
|
152
|
|
|
card to pocket \n lapping \n edward marlo
1970
Edward Marlo
|
Card to Pocket
|
152
|
|
|
card(s) through table \n lapping \n edward marlo
1970
Edward Marlo
|
Card(s) Through Table
|
153
|
|
|
vanishing card \n a chosen card vanishes from amongst a packet of five cards, lapping \n edward marlo
1970
Edward Marlo
|
Vanishing Card
|
153
|
|
|
vanishing eleven \n eleven cards vanish, selection remains, lapping \n edward marlo \n vanishing eleven \n edward marlo
1970
Edward Marlo
|
Vanishing Eleven
|
Related to
|
153
|
|
|
changing cards \n four cards change into four aces, lapping \n edward marlo
1970
Edward Marlo
|
Changing Cards
|
153
|
|
|
as a face-up exchange \n ace switch out, lapping \n edward marlo
1970
Edward Marlo
|
As a Face-up Exchange
|
154
|
|
|
re-selection \n four aces are lost, spectator selects four cards, turn out to be four aces, lapping \n edward marlo
1970
Edward Marlo
|
Re-selection
|
154
|
|
|
on the center cover up cut \n \n edward marlo
1970
Edward Marlo
|
On the Center Cover Up Cut
|
155
|
|
|
concluding observations \n \n edward marlo \n strippers from the manufacturer \n edward marlo
1970
Edward Marlo
|
Concluding Observations
|
Related to
|
155
|
|
|
long and short cards \n from different decks \n edward marlo
1970
Edward Marlo
|
Long and Short Cards
|
157
|
|
|
fingertip peek & stripper deck \n \n edward marlo
1970
Edward Marlo
|
Fingertip Peek & Stripper Deck
|
157
|
|
|