Intros & Epilogues
| Creators | Title | Comments & References | Year | Source | Page | AA | Categories | |
|---|---|---|---|---|---|---|---|---|
| Steve Spillman | Parting Words | 2019 | ||||||
| Jim Steinmeyer | Afterword | 2019 | ||||||
| Reinhard Müller | Foreword | 2019 | ||||||
| Nick Trost | Introduction to Volume 7 | 2019 | ||||||
| Alexander Hansford | Akira Fuji | 2020 |
The Neat Review
(Issue 3 - Tokyo 2020)
|
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| Neil Kelso | Introduction | 2020 | ||||||
| Ben Hart | Closing Thoughts | 2020 | ||||||
| Mike Pisciotta | Foreword | 2020 | ||||||
| Ryan Plunkett | Introduction | 2020 | ||||||
| Hector Chadwick | Foreword | 2020 | ||||||
| Rhys "Morgan" Jones, Robert "West" Tay | Introduction | 2020 | ||||||
| Rhys "Morgan" Jones, Robert "West" Tay | How to Use This Book | 2020 | ||||||
| Rhys "Morgan" Jones, Robert "West" Tay | Curtain Call | 2020 | ||||||
| Rhys "Morgan" Jones, Robert "West" Tay | The Future | 2020 | ||||||
| John Galsworthy | Forword | 2020 | ||||||
| Steve Forte | Dedication - Ray Goulet | 2020 | ||||||
| Bill Malone | Foreword | 2020 | ||||||
| Steve Forte | Preface | 2020 | ||||||
| Steve Forte | Acknowledgments | 2020 | ||||||
| Steve Forte | Chapter 1 - Gambling Sleight of Hand - The Hobby | 2020 | ||||||
| Steve Forte | The Stunts | 2020 | ||||||
| Steve Forte | Gambling Routines | 2020 | ||||||
| Steve Forte | Odds and Ends | 2020 | ||||||
| Steve Forte | Fakes | 2020 | ||||||
| Steve Forte | Impressions | 2020 | ||||||
| Andi Gladwin | The Boy Who Cried Magic | 2020 | ||||||
| Andi Gladwin | Four Finesses | 2020 | ||||||
| Ryan Schlutz | Introduction | 2020 | ||||||
| Ryan Schlutz | GAP | 2020 | ||||||
| Mike Helmer | Introduction | May 2020 |
Epoch
(Vol. 1 No. 1)
|
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| Mike Helmer | Introduction | May 2020 |
Acolyte
(Issue 1 (Spring #1))
|
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| Benjamin Earl | Preface | 2020 | ||||||
| Benjamin Earl | Influence and Deception | 2020 | ||||||
| Benjamin Earl | Afterword | 2020 | ||||||
| Steve Beam | Introduction | 2020 | ||||||
| Peter Gröning | Six Friendly Involvements | 2020 | ||||||
| Peter Gröning | Introduction | 2020 | ||||||
| Peter Gröning | Signing Off | 2020 | ||||||
| Steve Beam | Introduction | 2020 | ||||||
| Idan Kaufman | Introduction | 2020 | ||||||
| Harry Lorayne | Foreword | 2020 | ||||||
| Harry Lorayne | Last Word | 2020 | ||||||
| Jamie Masterson | Acknowledgements | 2020 | ||||||
| Jack Carpenter | Introduction | 2020 | ||||||
| Jamie Masterson | Preface | 2020 | ||||||
| Jamie Masterson | Section One - The Core Routine | 2020 | ||||||
| Jamie Masterson | Section Two - Advanced Handling Options | 2020 | ||||||
| Jamie Masterson | Final Thoughts | 2020 | ||||||
| Jamie Masterson | Section Four - Visual Changes for the Last Ace | 2020 | ||||||
| Jim Steinmeyer | Introduction | 2020 | ||||||
| Ryan Schlutz | Introduction | 2020 | ||||||
| Chris Rawlins | Introduction | 2020 | ||||||
| Chris Rawlins | A Change in Focus | 2020 | ||||||
| Chris Rawlins | In Conclusion | 2020 | ||||||
| Chris Rawlins | Bonus | 2020 | ||||||
| Jeremy Griffith | Foreword | 2020 | ||||||
| Greg Chapman | Introduction | 2020 | ||||||
| Harapan Ong | Foreword | 2020 | ||||||
| John Carney | With Gratitude | 2020 | ||||||
| David Ben | Foreword | 2020 | ||||||
| Richard Kaufman | Acknowledgements | 2020 | ||||||
| Tony Giorgio | Foreword | 2020 | ||||||
| Richard Kaufman | Introduction | 2020 | ||||||
| Richard Kaufman | Sandwich sans Roy | 2020 | ||||||
| William A. Wells | Foreward | 2020 | ||||||
| Michael Rubinstein | Introduction | 2020 | ||||||
| Michael Rubinstein | Chapter Eighteen - Friends | 2020 | ||||||
| Michael Rubinstein | Final Thoughts | 2020 | ||||||
| Andy Nyman | A Special Thanks To | 2020 | ||||||
| Andy Nyman | Hi fellow Magic Lover | 2020 | ||||||
| Andy Nyman | Final Thoughts | 2020 | ||||||
| Jamy Ian Swiss | Prologue: A New York Story | 2020 | ||||||
| Jamy Ian Swiss | Postscript: What's the Harm? | 2020 | ||||||
| Jamy Ian Swiss | Acknowledgements | 2020 | ||||||
| Joshua Jay, Andi Gladwin | Welcome to The Session 2020 | 2020 | ||||||
| Franz Kaslatter | Abschließende Anregungen | 2020 | ||||||
| Roberto Giobbi | Preface | 2020 | ||||||
| Jesús Etcheverry | Foreword | 2020 | ||||||
| Joshua Jay | Introduction | 2020 | ||||||
| Joshua Jay | Final Thought | 2020 | ||||||
| Marcus Eddie | Foreword | 2021 | ||||||
| Nancy Colwell | Setting Sail - A Compositional Note | 2021 | ||||||
| Nancy Colwell | Afterword | 2021 | ||||||
| Nancy Colwell | Acknowledgments | 2021 | ||||||
| Roberto Giobbi | A Big Thank You | 2021 | ||||||
| Roberto Giobbi | You Cannot Not Have a Theory | 2021 | ||||||
| Roberto Giobbi | How to Read This Book | 2021 | ||||||
| Roberto Giobbi | Actions of Confirmation... in Action | 2021 | ||||||
| Roberto Giobbi | Lest I Forget... | 2021 | ||||||
| Michael Close | Foreword | 2021 | ||||||
| Sylvain Juzan | Introduction | 2021 | ||||||
| Sylvain Juzan | Acknowledgments | 2021 | ||||||
| John Carney | Suite for Coins & Handkerchief | 2021 | ||||||
| John Carney | Further Thoughts | 2021 | ||||||
| Benjamin Earl | Inside | 2021 | ||||||
| Benjamin Earl | Out | 2021 | ||||||
| Motoki Kaido | Introduction | 2021 | ||||||
| Motoki Kaido | 本書について (About This Book) | 2021 | ||||||
| Motoki Kaido | 用語解説 (Glossary) | 2021 | ||||||
| Motoki Kaido | 表記方法 (Notation Method) | 2021 | ||||||
| Motoki Kaido | 参考映像 (Reference Video) | 2021 | ||||||
| Tomoya Horiki | Monster, My Friend, Mott-sun | 2021 | ||||||
| Motoki Kaido | あとがき (Afterword) | 2021 | ||||||
| Motoki Kaido | 最後に君たちへ (Final words to you all) | 2021 | ||||||
| Michał Kociołek | Introduction | 2021 | ||||||
| Ryan Schlutz | Introduction | 2021 | ||||||
| Rico Weeland | Introduction | 2021 | ||||||
| Moritz Mueller | Einleitung | 2021 | ||||||
| Moritz Mueller | Letzte Gedanken | 2021 | ||||||
| Moritz Mueller | Dankeschön an | 2021 | ||||||
| Asi Wind | Acknowledgements | 2021 | ||||||
| Asi Wind | Prologue | 2021 | ||||||
| Asi Wind | Scripts | 2021 | ||||||
| Asi Wind | Interviews | 2021 | ||||||
| Asi Wind | Epilogue | 2021 | ||||||
| Harapan Ong | Foreword | 2021 | ||||||
| Luis Piedrahita | Lo recuerdo perfectamente, como si no hubiera ocurrido. | 2021 |
Maese Coral
(Issue 1)
|
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| Editorial. ¿Es posible una historia del imposible? | 2021 |
Maese Coral
(Issue 1)
|
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| Alexander Hansford | Intro | 2021 | ||||||
| Alexander Hansford | Right Hander Look Here | 2021 | ||||||
| John Graham | Acknowledgements | 2021 | ||||||
| Asi Wind | Foreword | 2021 | ||||||
| John Graham | Introduction | 2021 | ||||||
| John Graham | Last Word | 2021 | ||||||
| Nancy Colwell | Foreword | 2021 | ||||||
| Nancy Colwell | Credits | 2021 | ||||||
| Nancy Colwell | Afterword | 2021 | ||||||
| Boris Wild | Foreword | 2021 | ||||||
| Nathan Kranzo | Introduction | 2021 | ||||||
| Nicholas Einhorn | Foreword | 2021 | ||||||
| John Lovick | Acknowledgements | 2021 | ||||||
| Please Read Before Proceeding | Apr. 2021 |
The Disclaimer
(Vol. 1 No. 1)
|
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| Please Read Before Proceeding | May 2021 |
The Disclaimer
(Vol. 1 No. 2)
|
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| Please Read Before Proceeding | June 2021 |
The Disclaimer
(Vol. 1 No. 3)
|
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| Please Read Before Proceeding | July 2021 |
The Disclaimer
(Vol. 1 No. 4)
|
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| Please Read Before Proceeding | Aug. 2021 |
The Disclaimer
(Vol. 1 No. 5)
|
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| Please Read Before Proceeding | Sep. 2021 |
The Disclaimer
(Vol. 1 No. 6)
|
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| Please Read Before Proceeding | Oct. 2021 |
The Disclaimer
(Vol. 1 No. 7)
|
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| Please Read Before Proceeding | Nov. 2021 |
The Disclaimer
(Vol. 1 No. 8)
|
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| Please Read Before Proceeding | Dec. 2021 |
The Disclaimer
(Vol. 1 No. 9)
|
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| Miguel Ángel Gea | Foreword to the English edition | 2021 | ||||||
| Dani DaOrtiz | Preface to the English edition | 2021 | ||||||
| Ricardo Rodriguez | Introducción | 2021 | ||||||
| Juan Tamariz | Prólogo | 2021 | ||||||
| Ricardo Rodriguez | Prefacio | 2021 | ||||||
| Ricardo Rodriguez | Epilogo | 2021 | ||||||
| Ricardo Rodriguez | Palabras finales | 2021 | ||||||
| Ryan Murray | Acknowledgements | 2021 | ||||||
| Ryan Murray | Introduction to Preparing a Deck | 2021 | ||||||
| Ryan Murray | Applying the Principle | 2021 | ||||||
| Ryan Murray | Epilogue | 2021 | ||||||
| José Sanchís | Prólogo | 2021 | ||||||
| Lionel Gallardo | Introducción | 2021 | ||||||
| Jim Steinmeyer | Introduction | 2021 | ||||||
| Lawrence Hass | Introduction | 2021 | ||||||
| Eugene Burger | To the Reader | 2021 | ||||||
| Lawrence Hass | Part One: Preface | 2021 | ||||||
| Lawrence Hass | Destiny Has a Name | 2021 | ||||||
| Lawrence Hass | Part Two: Preface | 2021 | ||||||
| Eugene Burger | Foreword | 2021 | ||||||
| Lawrence Hass | Part Three: Preface | 2021 | ||||||
| Lawrence Hass | Three Entertaining Discoveries: The Robot, Einstein's Card Trick, Perfect Speller | 2021 | ||||||
| Lawrence Hass | Entries from Eugene's Notebook | 2021 | ||||||
| Lawrence Hass | Part Four: Preface | 2021 | ||||||
| Lawrence Hass | Part Five: Preface | 2021 | ||||||
| Lawrence Hass | Finis | 2021 | ||||||
| Lawrence Hass | Acknowledgements | 2021 | ||||||
| John Graham | Acknowledgements | 2021 | ||||||
| John Graham | Foreword | 2021 | ||||||
| John Graham | Last Word | 2021 | ||||||
| Justin Higham | Foreword | 2021 | ||||||
| Alexander Boyce | Welcome | 2021 | ||||||
| Michael Weber | Please Note | 2021 | ||||||
| Steve Reynolds | Surprise Bluff Assembly/Direct Splits | 2022 |
Output
(Issue 21)
|
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| The Magic of Gabi | Jan. 2022 |
Genii
(Vol. 85 No. 1)
|
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| Leo Reed | The Spork Chronicles | Aug. 2022 |
Genii
(Vol. 85 No. 8)
|
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| Editorial | 2022 |
Maese Coral
(Issue 2)
|
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| Editorial - Puchol y Etcheverry como ejemplo | 2022 |
Maese Coral
(Issue 3)
|
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| Florian Brooks | Introduction | 2022 | ||||||
| Florian Brooks | Closing Thoughts | 2022 | ||||||
| Christoph Borer | Einleitung | 2022 | ||||||
| Christoph Borer | Nachwort | 2022 | ||||||
| Derren Brown | Foreword | 2022 | ||||||
| Andrew Frost | Introduction | 2022 | ||||||
| Bob Farmer | Introduction | 2022 | ||||||
| Bob Farmer | Thank Yous | 2022 | ||||||
| Please Read Before Proceeding | Jan. 2022 |
The Disclaimer
(Vol. 1 No. 10)
|
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| Please Read Before Proceeding | Feb. 2022 |
The Disclaimer
(Vol. 1 No. 11)
|
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| Please Read Before Proceeding | Mar. 2022 |
The Disclaimer
(Vol. 1 No. 12)
|
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| Tom Dobrowolski | Introduction | Mar. 2022 |
The Disclaimer
(Vol. 1 No. 12)
|
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| Steve Cohen | Preface | 2022 | ||||||
| Steve Cohen | Introduction | 2022 | ||||||
| Steve Cohen | Chapter Nine: Impromptu Magic | 2022 | ||||||
| Steve Cohen | Mentalism Stunts | 2022 | ||||||
| Steve Cohen | Chapter Ten: Card Magic | 2022 | ||||||
| Steve Cohen | Chapter Eleven: Platform Magic | 2022 | ||||||
| Steve Cohen | Acknowledgements | 2022 | ||||||
| Alexander Hansford | Intro | 2022 | ||||||
| Alexander Hansford | Preface to the New (2022) Edition | 2022 | ||||||
| Lexiang Gao (高乐翔) | Foreword (序言) | 2022 | ||||||
| Bob (张熙禹) | Introduction (前言) | 2022 | ||||||
| White (陈怀宇) | Postscript (后记) | 2022 | ||||||
| Gordon Bruce | Foreword | 2022 | ||||||
| George McBride | Introduction | 2022 | ||||||
| George McBride | Dedication | 2022 | ||||||
| Fränz | Hello. Hej. Guten Tag. | 2022 | ||||||
| Nico Haupt | Foreword | 2022 | ||||||
| Bob Farmer | Introduction | 2022 | ||||||
| Bob Farmer | Final Comments | 2022 | ||||||
| Dani DaOrtiz | Introduction | 2022 | ||||||
| Jared Kopf | Foreword | 2022 | ||||||
| Derrick Chung | Introduction | 2022 | ||||||
| Marc Trudel | Marlo | 2022 |
Conundrum
(Issue 1)
|
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| Marc Trudel | McSorley & Chung | 2022 |
Conundrum
(Issue 1)
|
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| Woody Aragón | Sonata for Shimpei | 2022 | ||||||
| Shimpei Katsuragawa | Introduction | 2022 | ||||||
| Mac King | Foreword (Complete with Footnotes) | 2022 | ||||||
| Nick Diffatte | Preface (Without Footnotes) | 2022 | ||||||
| Nick Diffatte | Acknowledgements | 2022 | ||||||
| David Ben | Dai Vernon: An Introduction | 2022 | ||||||
| Dai Vernon | An Illustrated Resumé | 2022 | ||||||
| Bob Farmer | Introduction | 2022 | ||||||
| Lee Asher | Notice of Rights | 2022 | ||||||
| Lee Asher | Introduction | 2022 | ||||||
| Lee Asher | Thank Yous | 2022 | ||||||
| Andreas Fleckenstein | Vorwort | 2022 | ||||||
| Pedro Cunha | Foreword | 2022 | ||||||
| Francisco Mousinho | Introduction | 2022 | ||||||
| Andi Gladwin | Ubuntu | 2022 | ||||||
| Joshua Jay | Introduction | 2022 | ||||||
| Joshua Jay | In Closing | 2022 | ||||||
| Joshua Jay | Acknowledgements | 2022 |
Talk About Tricks
(Issue 1)
|
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| Joshua Jay | Introduction | 2022 |
Talk About Tricks
(Issue 1)
|
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| Joshua Jay | The Beginning and the End | 2022 |
Talk About Tricks
(Issue 2)
|
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| Helge Thun | Vorwort! | 2022 | ||||||
| Tom Gagnon | Acknowledgements | 2022 | ||||||
| Tom Gagnon | Preface | 2022 | ||||||
| Newell Unfried | Introduction | 2022 | ||||||
| Luke Jermay | Acknowledgements | 2022 | ||||||
| Luke Jermay | How This Began | 2022 | ||||||
| Luke Jermay | Introduction | 2022 | ||||||
| Luke Jermay | Final Words | 2022 | ||||||
| Juan Tamariz | Letter from Juan | 2022 | ||||||
| Juan Tamariz | P.S. | 2022 | ||||||
| Victor Piña | ¿Por qué? | 2022 | ||||||
| Victor Piña | Hasta Pronto | 2022 | ||||||
| Juan Tamariz | Letter from Juan | 2022 | ||||||
| Juan Tamariz | P.S. | 2022 | ||||||
| Joshua Jay | Introduction | 2022 | ||||||
| David Ben | Introduction | 2022 | ||||||